For Monsieur Magazin Germany’s April 2025 concern, Paul Boche returns to the quilt highlight, this time with an editorial that leans into tender riot and West Coast-preppy irreverence. Shot by Adriano Russo—his lens as soon as capturing Paul almost a decade in the past for Sportweek—the reunion marks a sharper, moodier chapter.
Paul takes heart stage, swathed in coral-pink alpaca, icy nylon, and citrus-hued tailoring that feels extra Malibu-meets-Bauhaus than conventional menswear.
Stylist Konstantin Spachis crafts a sequence of visible paradoxes all through the unfold. Paul wears his contrasts like a second pores and skin: an outsized powder blue shirt atop saffron shorts, or a fitted polo tucked into exaggerated stripes cinched with a belt.
There’s a nod to David Hockney’s palette, however filtered by way of a late-’70s Berlin outsider’s gaze—extra Fassbinder than California pool boy. It’s an editorial that tempers polish with quirks, the place pastel turns into energy.
Simone Prusso amplifies the perspective with hair that reiterates the editorial’s airbrushed pressure—windswept but deliberate, as if caught mid-thought. There’s a studied chaos to Paul’s tousled crown and barely-there fringe, paying homage to Helmut Berger in “Ludwig,” but pushed ahead into 2025’s style for performative ease.
Whether or not seated in cropped chinos or brooding behind round frames, Paul Boche performs.
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