For spring-summer 2025, Emporio Armani trades spectacle for sentiment, dialing into a visible language the place a raised eyebrow and a loosened collar say greater than any emblem ever may. Photographed by Bruno Staub, {the catalogue} stars Mathieu Simoneau, Austin Garrett, and Balthazar Dib, every bringing a definite charisma to the photographs.
Emporio Armani Spring/Summer time 2025
This spring alerts Emporio Armani working within the delicate rigidity between metropolis polish and countryside ease. One second, Balthazar is straight-faced in a putty-toned go well with and loafers with white socks—half boardroom, half ’90s off-duty heartthrob.
One other body shifts to Balthazar standing beside a white horse, a violet suede jacket worn casually over a sequined high. It’s a palette that teases seriousness, then undercuts it with a smirk.
The Emporio Armani collection pivots round distinction—earthy neutrals play towards wealthy jewel tones, tailoring collides with the lilt of relaxed shorts, and boxy silhouettes are given carry by featherweight materials. Mathieu, leaning right into a palette of heat stone and ivory, wears an off-white utilitarian set with the type of irreverent cool.
There’s a delicate irony woven all through. The lavender coat over joggers, the velvet blazer worn prefer it’s nothing particular, the sequins hiding below a trucker jacket. Staub captures the clothes in pure gentle, letting shadows fall the place they could, avoiding overstyled gloss in favor of one thing lived-in and contemplative.
That is the Emporio Armani that doesn’t beg for relevance. It walks a slower path, grounded in tactility and ease. And but, with its off-kilter pairings and sudden textures, the message is obvious: this season, polish can have a pulse.
Trending Merchandise
